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“Yarra” by Ernesto Rios
Yarra — by Ernesto Rios — is an arts investigation which offers multiple interpretations of site, place and space. It is a collaborative multi-disciplinary audiovisual project that celebrates the...
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The London Psychogeophysics Summit [London]
The London Psychogeophysics Summit with Alejo Duque, Kathrin Guenter, Graham Harwood, Martin Howse, Petr Kazil, Jonathan Kemp, Martin Kuentz, Tom McCarthy, Christian Nold, Nick Papadimitriou, John...
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Sound, Listening and Place: Sonic Ecology
Organised Sound: An International Journal of Music and Technology — Sound, Listening and Place, Volume 16, Number 3 :: Date of Publication: December 2011:: Publishers: Cambridge University Press ::...
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“WalkSpace” by Conor McGarrigle
WalkSpace — by Conor McGarrigle — is an alternative walking art app for the iPhone to let you navigate the city in a new and unexpected way. A selection of cultural and everyday routes are remapped to...
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Legacies of the Situationist International [Stockholm]
Alla Kungens Hästar: Legacies of the Situationist International — A two-day seminar with Jacqueline de Jong, Claire Fontaine, Roberto Ohrt, Mikkel Bolt, Daniel Birnbaum :: December 1-2, 2010; 4:00 -...
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Live Stage: WalkSpace Beirut-Venice
WalkSpace: Beirut-Venice with artist Conor McGarrigle :: June 2-3, 2011; 12:00 - 2:30 pm :: Venice (Piazza San Marco) and Beirut (to be announced later) :: Part of THESTATEOFMIND @ the Lebanese...
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PDPal - Mapping Without Terrain
PDPal - Mapping Without Terrain (2002-’04) by Julian Bleecker, Marina Zurkow , Scott Paterson, now part of Talk to Me: Design and the Communication between People and Objects, MOMA. “To cover the...
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Suffolk Psychogeophysics Summit [Suffolk]
Suffolk Psychogeophysics Summit with Graham Harwood, Eleonora Orreggia, Wilfried Hou je Bek, Stephen Fortune, Suzzanne Treister, Mike Challis, Cad Taylor, Ryan Jordan, Andy Bolus, Martin Howse, Kathrin...
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Reorienting Narrative: E-lit as Psychogeography
[...] “In much of her work, writer/artist J. R. Carpenter fabricates hybrid places that are both “virtual” and attached to real world locales. Like Ernst’s bedroom, these online spaces contain objects...
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